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As part of an exceptional set of measures contained in Article 17 of the Emergency Act to combat the COVID-19 epidemic, which was enacted on 23 March 2020, a week after the President of the French Republic declared the lockdown of the French population, the president of the Centre National du Cinéma et de l’Image Animée (National Centre of Cinematography and the Moving Image – CNC) is allowed to grant an exemption from the official four-month window between a film’s cinema release and its release on VOD, DVD or Blu-Ray for films that were being shown in cinemas on...

In a press release issued on 14 April, the French national audiovisual regulatory authority (Conseil supérieur de l’audiovisuel – CSA) wrote: “During this severe health crisis, a time when questions, the need for information and issues surrounding social cohesion are more important than ever, the media carry enormous responsibility. This requires them to be vigilant at all times in view of the serious risk of misinformation and to be particularly rigorous in the presentation and processing of information, including in visual illustrations.” This stern warning was...

The main innovation of the law against the manipulation of information of 22 December 2018 was to extend the powers of the French national audiovisual regulatory authority (Conseil supérieur de l’audiovisuel – CSA) to include services that do not necessarily fall under audiovisual laws, especially large social networks. For example, the law requires the main online platform operators to take measures to fight against the dissemination of false information “likely to disrupt public order or affect the integrity of a vote.” The CSA is responsible for monitoring...

On 29 and 30 March 2019, the TV channel RT France, the French-language outlet of the Russian international news channel RT, broadcast information suggesting that, according to official Russian sources, France and Belgium were planning to simulate a chemical attack in Syria with the help of ‘terrorist leaders’. Three days later, in an item entitled ‘Attaque ou intox?’ ('Attack or disinformation?'), a studio-based journalist repeated these accusations, giving more detail and criticising the response of the French authorities, before giving the floor to an analyst who...

The Institut national de l’audiovisuel (National Audiovisual Institute – INA) was created to protect and promote the archives of French public radio and television companies. Its role was later broadened when, in 1992, it became the legal deposit library for radio and television, and then for media websites in 2006. In a ruling of 22 January 2020, the Cour de cassation (Court of Cassation) brought an end to a major dispute concerning the INA’s exploitation of performers’ performances. In the case at hand, the holders of the rights of a musician who had died in 1985...